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The image at the top, to the left, is the 'Killerwhale'. Full of tension and movement, James has cropped this design to provide the viewer with a dynamic snapshot of the full whale figure. There are wonderful details in this piece: the dappling in the negative space, the three dimensional qualities of the blowhole and teeth, and the knife-finished ovoids.
The image at the bottom is his 'Infinity' panel. Again, James provides a glimpse of a larger design. Composed of ovoids, split-u's, and hints of formline, this panel is both modern and timeless.
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