Showing posts with label Contemporary Northwest Coast Native Art. Show all posts
Showing posts with label Contemporary Northwest Coast Native Art. Show all posts

June 22, 2013

Introducing Kwakwaka'wakw Artists and Brothers: Rod Smith GALUYAGMI and Steve Smith DLA'KWAGILA


Artists, brothers, and painters: Rod Smith Galuyagmi and Steve Smith Dla'kwagila have this much in common, yet their distinctive use of Northwest Coast formline and design are very much in contrast. Having both apprenticed from their father, the late Harris Smith Lalkawilas, the brothers’ styles display stark similarities and differences, yet are still reminiscent of Harris Smith’s work. The title of the exhibition, Contrast& Collaboration, effortlessly conveys both the unique journeys they have undertaken in their artistic careers and their first opportunity to collaborate on exclusive pieces for the exhibition that display their contrasting styles. As Steve eloquently remarked, “I see us as being part of a tree that has different branches on it. We are still the same tree and yet we each go our own way just as the branches of a tree do”.

vinyl MUNNY with acrylic paint, Joyful




The body of work displayed in Contrast & Collaboration differs from the brothers’ larger body of work in a variety of ways. Firstly, the show focuses explicitly on the brothers’ Kwakwaka’wakw painting styles, as both a duo and individuals. Both artists consider their work to be contemporary Kwakwaka’wakw pieces; while there are elements of traditional design in their work, such as the several types of salmon-trouthead, they are used in atypical ways to show the viewer something they may not have seen before. Multiple pieces were identical in structure before each artist worked with them on their own, easily demonstrating the contrast in their styles. Many of the collaborative pieces are created at a much larger scale than either artist would create on a regular basis; the expansive empty ‘canvas’ space on these particular pieces allowed for the artists to demonstrate their visions and play with the medium. In pieces such as Joyful, the formline of each artist twists, turns and intertwines to create a flow of design that is quite playful. 


red cedar sculpture with acrylic paint, Big Brother, Little Brother
 The collaboration process was one of a trusting nature, in some cases with one brother envisioning a sculptural piece with only light suggestions of color and having the other brother incorporate his style in turn. At other times, the concept of the piece was established before the creation; yet neither brother was present for the piece’s conception entirely, allowing the process to be truly collaborative and involved integrating their individual styles to offset, contrast and balance the other’s style while still respecting the original idea and each other’s unique design choices. All of the pieces have great attention to detail, whether it is the design placement or the fine brush-strokes; both Rod and Steve believe this characteristic unites their styles amidst their differences in use of formline. Rod’s thin, delicate brush strokes and use of cross-hatching juxtaposed with Steve’s bold, elegant painting style and dramatic designs display what these two artists and brothers achieve in their works: balance.

The show will be on display at Lattimer Gallery from June 22nd - July 20th, 2013.  

October 23, 2012

Phil Janze: 2012 BC Creative Achievement Awards for First Nations' Art

Philip Janzé, 20k Yellow Gold Pin with Ammolite, Frontlet Design, 1 5/8" x 2" x 1/2"
We would like to acknowledge and congratulate Gitksan artist Philip Janzé as a recipient of the 2012 BC Creative Achievement Awards for First Nations' Art. Philip's diverse body of work and talent using the repoussé technique have distinguished him as a highly regarded figure within Northwest Coast art. His accomplishments include recognition by the Canadian Jeweller's Challenge in 1982-84 for creating one of six finest pieces in Canada. He is the only Aboriginal artist to have accomplished this, to date. Philip also won top prize in jewellery making from the Aboriginal Northern Affairs Canada Purchase Show in 1984.

We would also like to congratulate artists Wayne Alfred (Kwakwaka'wakw), Skeena Reece (Tsimshian/Gitksan/Cree), Morgan Green (Tsimshian) and David Lloyd Wilson (Okanagan) as fellow recipients and Norman Tait (Nisga'a) as the receipt of the Lifetime Achievement Award for First Nations' Art. For more information on the 2012 recipients - please view the artist's profiles here.


The presentation of the awards will be held on November 19th in Vancouver.


June 8, 2012

Teaser #4...Medium: Painting on Canvas


Take a look-see at our last teaser - Abstract by Clint Work before the online preview on Monday, June 11th. Be sure to check out all the pieces. We are very excited about the show. Please join us at the opening reception Saturday, June 16th from 5 to 8pm.

Here's a recap if you missed the earlier postings:
Teaser #3
Teaser #2
Teaser #1

Medium: Painting on Canvas is a group exhibition featuring new works by various artists. All the pieces were created for the show as paintings on canvas are not often promoted within the Northwest Coast Native art market which makes this an exciting opportunity for artists to explore and showcase their work in this medium.


June 1, 2012

Teaser #3...Medium: Painting on Canvas


Check out this week's teaser - A Tribute to Ojibway Beadwork I by Sharifah Marsden.

Here's a recap if you missed the earlier postings:
Teaser #2
Teaser #1

Medium: Painting on Canvas is a group exhibition featuring new works by various artists. All the pieces were created for the show as paintings on canvas are not often promoted within the Northwest Coast Native art market which makes this an exciting opportunity for artists to explore and showcase their work in this medium. We invite you to attend the opening on the evening of June 16th from 5 to 8pm to see these exciting new works. An online preview will be available on June 11th. Show ends July 15th.

May 25, 2012

May 18, 2012

A Teaser....Upcoming show, Medium: Painting on Canvas

In the following weeks leading up to our summer show, Medium: Painting on Canvas, we will be featuring snippets of various pieces; some images will even document the early stages of a painting. This will be a great way to catch an insider’s view – a rare glimpse of the artist’s work-in-progress. Please check back with us as we will be updating a new teaser each week. This week’s sneak peek is a piece by Kwakwaka’wakw artist Rande Cook titled Oh My God

Medium: Painting on Canvas is a group exhibition featuring new works by various artists. All the pieces were created for the show as paintings on canvas are not often promoted within the Northwest Coast Native art market which makes this an exciting opportunity for artists to explore and showcase their work in this medium. We invite you to attend the opening on the evening of June 16th from 5 to 8pm to see these exciting new works. An online preview will be available on June 11th. Show ends July 15th.

April 29, 2012

Sonny Assu Nominated for Sobey Art Award

The Sobey Art Award is Canada's principal contemporary art award and was created in 2002 by the Sobey Art Foundation. Since its inception, the award and its accompanying exhibition have been organized and administered by the Art Gallery of Nova Scotia. This year, 2012, marks the Award's 10th Anniversary in recognizing and celebrating young, unique contemporary artists within Canada.

The Sobey Art Award distributes $70,000 annually to the winners; a prize amount of $50,000 is awarded to a young contemporary artist, with an additional $5,000 going to each of the remaining four finalists. Five artists from each Canadian region are nominated and a winner from each region is chosen before the final winner is named in the fall. 

This year, Kwakwaka'wakw artist Sonny Assu has been nominated, among 24 other contemporary artists. Assu's work challenges the perception of Northwest Coast Art and its rigid boundaries by combining traditional materials with Western consumer culture aesthetics. Through his work, he strives to bring to attention both the hidden and the ongoing cultural violence that Canada has toward its Aboriginal people. Assu has been exhibited across Canada in both public and private collections and is included in the National Art Gallery of Canada, Toronto; the Museum of Anthropology,Vancouver; and the Seattle Art Museum, Washington. Most recently, his series of 67 painted elk-hide drums - representing each year of the potlatch ban -  along with 136 copper records - one for each year of the Indian Act - have been featured at the Vancouver Art Gallery in the current exhibit Beat Nation

Image: Sonny Assu, Silenced Installation, Cedar blocks and acrylic on elk-hide drums, Dimensions variable, 2011. Photo credit: Equinox Gallery.